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The narrator did a great job of building the atmosphere and excitement in the story. I always love reading the original stories behind some very iconic pop culture figures.

Frankenstein is obviously incredibly popular. It was great to read and do a little bit of a personal independent study on major nerd here. The perfect Hall This was awesome. The perfect Halloween read! View all 9 comments. Shelves: action-thriller , classic , required-reading-high-school , favorites , , read-more-than-once , horror , own , audio. I figure it was a good time for a reread since it was one of my favorites and it has been over 20 years since I read it.

I did enjoy it again this time and it stands up to the 5 star review and designation of classic. There were a few slow parts - mainly when Dr. Frankenstein would stop the narrative to wax poetical about something - but, not enough t take a way from my overall enjoyment. I still recommend this for everyone and be sure to check out my full original review below.

Also, it is my favorite of the classic horror novels. It is perfectly written, suspenseful, and is a bit more thought provoking than scary. One of the best ways I can compare it to other classic horror novels is to Dracula - which I read recently. Dracula has so much repetitive filler that you do not find in Frankenstein, which is the main reason I find Frankenstein to be a more enjoyable book. Also, I would say that this is more a novel of the human condition than an actual horror novel.

Some terrifying things happen, but it is the monster within all of us that may end up being more terrifying! Funny side story: when I read this in High School, it was around the same time that the Kenneth Branaugh adaptation came out at the theaters.

We were all encouraged to go see it and found it pretty close to the source material. What was amusing was that Time Magazine had a review of the movie bashing it as untrue to the source material and how disappointed Shelley would be that the Boris Karlovian depiction of a lurching, flattop monster with bolts in its neck was ignored for a more serious drama movie.

Time Magazine, for goodness sakes, published an article that claims to know the content of the book but is completely wrong and does it while bashing a movie that did a pretty good job with it!? I mean, it it is okay if you prefer the old time movie version of Frankenstein - and it is a classic - but to make definitive statements that are completely wrong in what is supposed to be a well thought of publication not your typical tabloid supermarket checkout fodder , that is just too much!

We need a copy editor over here! Frankenstein; or, The Modern Prometheus, Mary Shelley Frankenstein; or, The Modern Prometheus is a novel written by English author Mary Shelley — that tells the story of Victor Frankenstein, a young scientist who creates a grotesque, sapient creature in an unorthodox scientific experiment. Shelley started writing the story when she was 18, and the first edition of the novel was published anonymously in London on 1 January , when she was Her name first appeared on the second edi Frankenstein; or, The Modern Prometheus, Mary Shelley Frankenstein; or, The Modern Prometheus is a novel written by English author Mary Shelley — that tells the story of Victor Frankenstein, a young scientist who creates a grotesque, sapient creature in an unorthodox scientific experiment.

Her name first appeared on the second edition, published in France in Frankenstein tells the story of Victor Frankenstein, a young scientist who creates a sapient creature in an unorthodox scientific experiment.

Frankenstein is a frame story written in epistolary form. Robert Walton is a failed writer who sets out to explore the North Pole in hopes of expanding scientific knowledge. During the voyage, the crew spots a dog sled driven by a gigantic figure. A few hours later, the crew rescues a nearly frozen and emaciated man named Victor Frankenstein.

Frankenstein has been in pursuit of the gigantic man observed by Walton's crew. Frankenstein starts to recover from his exertion; he sees in Walton the same obsession that has destroyed him and recounts a story of his life's miseries to Walton as a warning. The recounted story serves as the frame for Frankenstein's narrative. View all 4 comments. I have a favourite Kate Beaton strip framed up in our book room: Full-size image here.

Mary was — what? The surroundings were familiar. The last time Mary and Percy had come to Switzerland had been during their elopement a couple of years earlier, accompa I have a favourite Kate Beaton strip framed up in our book room: Full-size image here. The last time Mary and Percy had come to Switzerland had been during their elopement a couple of years earlier, accompanied by her sister, who was also in love with him; Mary had got pregnant, but the baby girl was born prematurely and died in February Now they were back, trying to put the past behind them and enjoy a holiday with Byron, who at the time was sleeping with Mary's stepsister.

Mary's other sister Fanny also drowned herself that year, , also pining for Percy. So it was in the midst of this complex love-dodecahedron that the holidaymakers, their festive plans foiled by constant rain, held their famous competition to write a ghost story.

The result is something very different from its image in popular culture. Instead of the smoke of Victorian London, we have the Swiss Alps and the Orkney Islands; instead of Igor and bolts through the neck, we have meditations on personal autonomy, scientific responsibility and eugenics. Frankenstein is overwritten and the narrative structure is a bit odd — she was still a teenager when she wrote it, let's not forget — but thematically, it's fascinating. I'm surprised by how few reviews I've read touch on what seems to me to be the intensely female experiences that it obliquely comments on.

The confusion of bringing a creature into the world only to feel horror and revulsion towards it. The stress of releasing it into a hostile and uncaring world. And perhaps most of all, the deep sympathy shown with someone who feels that their body is not their own, that it is somehow owned and regulated by others. A body that one is taught by society to hate. The monster's feelings are unimportant, because he was created by a man for the man's own gratification.

For me though it's the beautiful first stanza that better expresses the ferocious intensity of Mary and her circle of friends and lovers, surrounded as they all seemed to be by imminent, premature death: We are as clouds that veil the midnight moon; How restlessly they speed, and gleam, and quiver, Streaking the darkness radiantly! But the writing they left behind will last as long as English literature is read, and for all of its problems Frankenstein is among that select group.

View all 33 comments. The writing is beautiful, the audiobook is good but damn the part where the monster tells you his life is boooooring! View all 23 comments. View all 3 comments. A man, and not a man; a life, and an un-life. Hair and lips of lustrous black, skin of parchment yellow, watery eyes of dun-colored white. The stature of a giant. A horror among men! And so my creator fled me, horrified of his creation. And so I fled my place of birth, to seek lessons amongst the human kind.

My lonesome lessons learnt: man is a loving and noble creature; learning is pathway to beauty, to kindness, to fellowship. And this I also learnt: to witness what diffe And this I also learnt: to witness what differs, to meet what may be noble under the skin but ugly above it Man is a brutal and heartless creature. And as I was rejected, I do so reject: turn from me and you shall find my cold hands, seeking some bitter warmth O wretched creature am I! My tale is told by Mary Wollstonecraft Shelley, in the loveliest and most vivid of flowing prose.

A wise writer is this Mary Shelley - and at such a young age! The narrative is as three nesting Russian dolls, a thin one to contain them all, a second of weightier proportions, and a third one within - its gentle and broken heart. That inner story, the smallest, is of my youth - a life of fear, but also of learning, of growing into myself, of witnessing the beauty around me. Of spying upon the family De Lacey - their unknown son. Their own tale is one of bravery and gentleness, of humanity at its weakest and strongest, of survival.

But mine is of friendship spurned, kindness returned with terror, a stark rejection, and then a house in flames. And with that burning house burned all the love within this scarcely beating un-heart The middle story is of my creator, Victor Frankenstein: spoiled child, spoiled man, dreamer, visionary, coward; the foolish instrument of his own despair.

A curse upon him, and a blessing, and a curse again! The outer layer is a story of wintry landscapes, an exploration of the icy reaches and the final doom of my creator. It is as well a tale of longing: for justice and for revenge, of course Alas, Captain Walton, a sensitive and lonely soul I could have been your own brother, such was the depth of our shared yearnings O wretched are those who walk the earth alone!

My father and mother both: Victor Frankenstein. Curse the man who rejects his offspring! Curse the man who seeks to forget his own creation! I was the fruit of his mind and of his labors, born rotten, and thus cast away. The tale of my maker is the tale of a parent suddenly fearful of his young, terrified of what he has wrought. It is a tale of responsibility rejected. The record of his actions are of criminal neglect, of shameful weakness, of a man who lives so much in his thoughts that the world around him crumbles, and the people in that world become abused.

My wretched self most of all! And yet I am more than his cast-out son. I am the Frankenstein's shadow self: capable of the sublime, yet enacting the abominable. What is dear to him shall be mine to destroy. His precious ideals shall be the instrument of his destruction. As he would embrace his youngest brother, his dearest friend, his beloved wife And as his shadow self, I will follow him as he will follow me, I will lead him to his destiny, on a terrible trail he has forged himself.

I shall spare him, and all others, only the faintest pity O wretched are those who cross my path! My story is not simply one of thoughtless cruelty or hideous revenge. It is also one of beauty, and of ugliness. Behold the many descriptions of the natural world, the myriad and vivid wonders of nature, of mountain and forest and lake and ocean.

There is true beauty. It is a fact upon which we three - Victor Frankenstein and Captain Walton and I - are truly of one mind. In nature there is true transcendence! But alas, it is not simply nature that is judged as beauty, or as ugliness. Inspect the story closely. Note the good fortune of the child Elizabeth, raised in squalor and then lifted into comfort. Why was she so chosen? Because of her fortunate beauty, her golden hair A typical act for the human species: forever embracing the fair and turning away from what their eyes call foul.

Terrible human nature, that judges the surface alone. Study Victor's reactions to his professors, both steeped in wisdom: one kindly and elegant in appearance, the other misshapen and coarse See Victor's uncaring and hysterical flight from his own child - myself! Watch his descent into illness at the mere idea of such ugliness.

Witness the family De Lacey, and their rejection of one who sought only to ease their burdens, to bring their kindness back upon them - a being who only craved love! Again and again, the pleasant surface is favored over the ill-formed; the unknown depths to remain unknowable. Foolish humans - victims of their conceits, forever enchanted by what they call beauty.

Foul and petty humans - they are villains of their own making. A curse upon them! And so rejected and abandoned, I shall bring ugliness back to their doorstep. I become nemesis; and shall live forever as your deadly child, a perilous inheritance, a nightmare of your own creation O wretched are you all!

View all 81 comments. Frankenstein follows Victor, a scientist on a mission to create new life from old carcasses — until his plan, of course, backfires.

What ensues is perhaps fairly well-known in popular culture: the killing of his brother, the framing of his tutor, Justine, and the murder of his wife Elizabeth. With the help of his wife, Elizabeth, and his loving family, he must find a way to save not only his family, but his soul. It is amazing that such a basic plot, written in literally , can be so compelli Frankenstein follows Victor, a scientist on a mission to create new life from old carcasses — until his plan, of course, backfires.

It is amazing that such a basic plot, written in literally , can be so compelling and so subversive. In this reading, the book would be in favor of a balance between the irrational and the scientific. Elizabeth and Henry, the "good" characters, both help others, while Victor, who is a dick, does nothing. This is surprising and not entirely in line with the Romantic-individualist spirit. Universalism stays winning. In this reading, the monster could perhaps be viewed as her lost child, a creation born off the fantasy of bringing back the lost.

Some of the more hair-raising aspects come in small detail — that the crew of the original ship sees the creature and unknowingly let it pass is bone-chilling; that Justine is not only prosecuted and killed for the crimes of the monster, but hated by her whole family, is absolutely horrific. All of these elements to the novel are interesting.

But what makes the horror of Frankenstein so compelling is this: we are not combating a mindless horror, but a tragic figure, unnamed but still deeply human. A less imaginative writer would have reduced Frankenstein to a one-note character, yet Shelley refuses this route with her characters. The creature does not lack in the fundamental humanity of us; he uses long words and is shockingly articulate; he acts on both instinctual thought and logical thought.

In fact, his one desire is a mate, companionship of his own, to not remain unloved and alone and to find human connection of his own.

This forms the character of the monster into a sympathetic character, despite his flaws; it turns the story into one of the failure of human compassion, rather than one of an evil monster.

I am so sorry this was so long winded but I absolutely refuse not to use at least some of my prowess and writing from this very heavily researched term paper. Yet perhaps more importantly, she has created a long-discussed work in every genre from horror to sci-fi and on every theme from feminism to Romanticism. And just as it has remained a prime subject of criticism, it has remained a fantastically enjoyable book for reading.

Blog Goodreads Twitter Instagram Youtube View all 17 comments. Jun 30, Kevin Kuhn rated it it was amazing Shelves: horror , science-fiction. Mary Shelley won to put it mildly by creating one of the earlier gothic horror novels.

Gas lighting was only recently improved and deployed in many cities in Europe. Luddites were destroying machines in Britain over concerns about losing their jobs.

Antarctica had yet to be discovered. It was a tumultuous time of war and discovery. Obviously, the work has inspired countless movies, plays, and television series.

The Frankenstein monster remains as one of the most familiar images in horror. The story has its flaws. The various narrators Victor Frankenstein, the monster, etc. If all you know about Frankenstein is based on movies and TV shows, this original novel will likely surprise you. I easily give it five stars not only for its cultural impact, but also for the pioneering exploration which allowed future horror and science fiction to progress.

If you are a horror or science fiction fan and you've never read it, you must! An re-read with a review worth posting once again. The novel opens with a set of letters by Captain Robert Walton to his sister back in England. Captain Walton is travelling through the Arctic to further his scientific appetite. The captain and crew notice a large creature travell An re-read with a review worth posting once again.

The captain and crew notice a large creature travelling over the ice and eventually stumble upon a nearly frozen Victor Frankenstein, who tells the story of his scientific struggles and tries to dissuade Walton from any such pursuits. Armed with the knowledge of the ancient natural philosophers, he takes this passion with him to university in Germany, where he is introduced to more modern ways of thinking. Creating a being in secret, Frankenstein soon sees that it has gone horribly wrong, both the physical appearance of this eight-foot behemoth tempered with translucent skin and pulsing veins and the decision to play God.

Frankenstein rages against his creation and flees for the city, only to return and see that the being has fled the confines of his flat.

Frankenstein becomes ill and recuperates over a four-month period before returning to his native Geneva. Upon his arrival, he discovers that his younger brother has been killed. Frankenstein sees the tell-tale signs of his creation having strangled the young boy, though the crime is saddled upon a nanny and she is executed by hanging. The creature tells of how he learned the nuances of language and speech, the complexities of emotion as well as discovering of his hideous appearance.

The creature vows to ruin the life of his creator unless he is gifted with a female companion. Frankenstein ponders this and promises to make one, having been threatened with more personal anguish if he fails. Frankenstein travels to the far reaches of Scotland to begin his work, eyed by the creature from afar. When Frankenstein has a final epiphany that his hands can create nothing but increased terror, he disposes with his experiment, knowing the consequences.

More agony befalls Frankenstein, who seeks to destroy his creation once and for all. A brilliant piece that is full of social commentary and much foreboding as it relates to science. A wonderful read for those who like a good challenge. The themes that emanate from the story at hand are numerous and thought provoking. The reader can easily get lost in the narrative and its linguistic nuances, but it is the characters and their messages that permeate the text. Victor Frankenstein and his creature prove to be two very interesting and yet contrasting characters, developed primarily through their individual narratives.

Frankenstein is the bright-eyed scientific mind who seeks to alter the path of events by imbuing something of his own making with life, only to discover that thought and reality do not mesh. The plethora of other characters develop and support these two, with Captain Walton playing an interesting, yet seemingly background, role in the entire narrative.

This is a piece of social commentary that prefers to scare in its foreboding and provides a much more academic approach than might be suspected by the unknowing reader. I was pleased with the novel and all it had to offer.

I am sure it will provide a wonderful soapbox for those who wish to open a discussion on the matter. I would welcome it. Kudos, Madam Shelley, for this wonderful piece. That you started it at the ripe age of eighteen baffles and impresses me. I will be adding this to my annual late October reading list! View all 13 comments. Beware; for I am fearless, and therefore powerful. Well, finally I read the original novel after watching infinite film adaptations, variations of the theme and even odd approaches to the topic.

I was sure that I would enjoy a lot the novel but sadly, compelled to write an honest review, I have to say that barely I was able to give it a 3-star rating, that I think it's the fairest rating that I can give to the book.

The original premise is astonishing, the following impact in popular culture is Beware; for I am fearless, and therefore powerful. The original premise is astonishing, the following impact in popular culture is priceless and certainly the story "behind-of-the-scenes" of the creation of the novel is fascinating. However, the actual writing of the book is tedious, the narration style is odd and the rhythm of the story is too slow.

The socio-cultural impact of this novel has been monumental in all kind of media. And the winners are The rookies!!! Since while Percy Shelley and Lord Byron were acomplished writers, they weren't able to come up with something to compete against Polidori's The Vampyre and Mary Shelley's Frankenstein.

Also, there is the tale of how Mary Shelley came up with the basic idea of the book. She claimed that she had a dream showing the lab with the mad scientist giving life to a hideous creature through the power of a lightning. I won't question her version.

I only want to point out the existence of an actual Frankenstein's Castle, located in a town of Germany where, besides several paranormal stories about it, there is a local rumour, that a fellow with the name of Johann Conrad Dippel was a supposed alchemist that created a monster using a bolf of lightning Where did I heard something just like this?

Try to came up with a cooler legend! However, Mary always declared that she wasn't aware of that castle and the legends tied to it. Let's take out the part of the step-mother and the Grimm Brothers. It's virtually impossible to believe that Mary Shelley never heard, in some way, about the existence of Frankenstein's Castle and the particular tale of Dippel.

Without irrespecting the memory of Mary Shelley, this is just like the story of Diablo Cody, winner of an Oscar for Best "Original" Screenplay for the film Juno of The main theme of this film is about a teen pregancy. However, in , there was a South Korean film titled Jenny, Juno that it was a romantic dramedy movie about teen pregnancy too.

Diablo Cody declared that she never heard before of that South Korean film. Sure, because Juno is such a common name in America that it was an innocent coincidence. By the way, Juno is the name's boyfriend in the South Korean's movie, instead of the female Juno performed by Ellen Page.

American Juno and South Korean Jenny, Juno have totally different stories, different approaches to the subject and even different reactions to the event along with different endings.

The only dang similarity is that both are about teen pregnancies. I am not accusing Diablo Cody of plagiarism. That's not the point. I only say that was so hard for her to admit that she watched or heard about the South Korean film and that gave her an inspiration for her own screenplay? In the same way, was so hard for Mary Shelley to admit that she got in contact in some way with the legend of Dippel and the Frankenstein's Castle and she used it as inspiration for her own original book?

At least that will make harder to make the connections and even making a more plausible deniability!!! I could not understand why men who knew all about good and evil could hate and kill each other. THE BAD The writing of the book is tedious, or to be more accurate is a too slow burner that it took too much to get into the real story and even worse, once the "action" started, you have again intervals of tedium.

It's indeed a roller coaster but in a bad sense, since you took too much time in the tedious way up and the moments of intensity are like split-seconds on the way down. The narration style is odd since the book begins with some letters written by a ship's captain, and the first four letters are boring filler stuff non-relevant to the actual story, and until the fifth letter the story really started. However, later of that, the narration changed to the "voice" of Dr.

Victor Frankenstein, but again, our good mad scientist takes too much time to get to the point telling a lot of non-relevant boring details, even worse, it's told in the most tedious "tone of voice" that you can imagine.

Without emotion or trying to entertain to the reader. The chapters of the Creature are more entertained but also, sometimes you wonder how possible is that this monster so submitted to rage and murder is able to articule so well his part of the story. So, between that the novel is slow burner, and the moments of real horror with awful deaths are so scarce and presented so quick that you can't even develop the proper emotion on that moments, I wasn't able to enjoy this book as I expected that I would.

However, I can't deny the relevant place that this novel has in the history of literature and its impact in multiple ways of the spectrum. Accursed creator! Why did you form a monster so hideous that even you turned from me in disgust? View all 52 comments. He is ugly and humanity does like to punish the ugly - this is a universal truth about us that in itself is also fairly ugly.

The other thing I liked was that standard ploy of gothic novels — the multiple Chinese whisper narration. In this the story is all written in a series of letters and then continuous prose to the sister of a sea captain who hears the story on a journey to the North Pole from Frankenstein himself, even though much of the story is also told to Frankenstein by his monster.

I do like stories like this -that are like Russian Dolls — where it is hard to tell who is telling the story and just how reliable they could be as a narrator. I'm not sure I would trust anything an adventurer sea captain told me about anything - and in the end he is the only source.

Unfortunately, that is about all that I did like. I would have said I know this story well before I read the book. There have been endless films made of this story — so there are elements to the story that are etched into our collective memories.

It comes then as a bit of a shock that many most of these elements are not in the story at all. I guess that is yet another example of the power of images. The other difference is that in films the monster is a slow moving automaton, whereas in the book he is much swifter, stronger and agile than people.

Frankenstein may not have made a very good looking monster, but in every other respect he did a much better job than God did. Frankenstein is a very fast learner - he learns to speak in less than a year. And given the poverty of instruction Chomsky would really be proud! Coincidences rarely work in fiction — and while they bring delight when they happen in life, in fiction they tend to stop us in our wilful suspension of disbelief. The problem is that this story seems to go out of its way to make us do tutting noises at the improbabilities and constantly strained plotting twists.

You know, hint - if telling me something silly isn't going to improve the story, don't tell me something silly. I thought there were some interesting comments about the obligations Gods have to their creations.

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